The 1930s were described as an abrupt shift to more
radical and conservative lifestyles, as countries were struggling to find a solution to the Great Depression, also known as
the World Depression. The decade started off economically unsteady, with the stock market dropping late in 1929. However,
late in 1930, stocks and the economy dropped more, and this time it didn't become better. Many people blamed then President
Herbert Hoover for the things that were happening in the economy, along with the Great Depression.
The term "swing dance" is commonly used
to refer either to a group of dances developing in response to swing music in the 1920s, 30s and 40s, or to lindy hop, a popular
partner dance today. While the majority of swing dances began in African American communities as vernacular African American
dances, there were a number of forms which developed within Anglo-American or other ethnic group communities. Balboa is one
of the most commonly cited examples.
Though they technically preceded the rise of swing music, and are commonly
associated with Dixieland jazz which developed in New Orleans in the south of the United States, dances such as the Black
Bottom, charleston and tap dance are still considered members of the swing dance family. These sorts of dances travelled north
with jazz to cities like New York, Kansas City, and Chicago in the Great Migration (African American) of the 1920s, where
rural blacks travelled north to escape persecution, Jim Crow laws, lynching and unemployment in the South during the Great
Depression.
Swing
Dancing from the Movie Twiced Blessed
The history of swing dates back to the 1920's,
where the black community, while dancing to contemporary Jazz music, discovered the Charleston and the Lindy Hop.
On March 26, 1926, the Savoy Ballroom opened its doors in New York. The Savoy was an immediate success with its block-long
dance floor and a raised double bandstand. Nightly dancing attracted most of the best dancers in the New York area. Stimulated
by the presence of great dancers and the best black bands, music at the Savoy was largely Swinging Jazz.
One
evening in 1927, following Lindbergh's flight to Paris, a local dance enthusiast named "Shorty George" Snowden
was watching some of the dancing couples. A newspaper reporter asked him what dance they were doing, and it just so happened
that there was a newspaper with an article about Lindbergh's flight sitting on the bench next to them. The title of the
article read, "Lindy Hops The Atlantic," and George just sort of read that and said, "Lindy Hop" and the
name stuck.
In the mid 1930's, a bouncy six beat variant was named the Jitterbug by the band leader Cab Calloway
when he introduced a tune in 1934 entitled "Jitterbug".
With the discovery of the Lindy Hop and the
Jitterbug, the communities began dancing to the contemporary Jazz and Swing music as it was evolving at the time, with Benny
Goodman leading the action. Dancers soon incorporated tap and jazz steps into their dancing.
In the mid 1930's,
Herbert White, head bouncer in the New York City Savoy Ballroom, formed a Lindy Hop dance troupe called Whitey's Lindy
Hoppers. One of the most important members of Whitey's Lindy Hoppers was Frankie Manning. The "Hoppers" were
showcased in the following films: "A Day at the Races" (1937), "Hellzapoppin" (1941), "Sugar Hill
Masquerade" (1942), and "Killer Diller" (1948).
In 1938, the Harvest Moon Ball included Lindy
Hop and Jitterbug competition for the first time. It was captured on film and presented for everyone to see in the Paramount,
Pathe, and Universal movie newsreels between 1938 and 1951.
Clara Gordon Bow (July 29, 1905 September 27, 1965)
was an American actress and sex symbol who rose to fame in the silent film era of the 1920s. Bow was renowned for her sexual
magnetism and became known around the world as the It girl, where "It" was commonly understood to mean sex appeal.
She was regarded as a quintessential flapper.Bow was born in a tenement in Brooklyn, New York, the only surviving child of
a dysfunctional family afflicted with mental illness, poverty, and physical and emotional abuse. She was the third child born
to her parents; the first two children, also daughters, were short lived, one lived for 2 hours, the other lived for two days.
Bow's mother, hoping that her third child would also die at birth, didn't bother with a birth certificate
Joseph Louis Barrow (May 13, 1914 April 12, 1981),
best known as Joe Louis and nicknamed The Brown Bomber, a long-time resident of Detroit, Michigan, is considered to be one
of the greatest heavyweight boxing champions who has ever lived. He held the title for over 11 years, recording 25 successful
defenses of the title. In 2003, Ring Magazine rated Joe Louis No. 1 on the list of 100 greatest punchers of all time. In 2005,
Louis was named the greatest heavyweight of all time by the International Boxing Research Organization. He participated in
27 heavyweight championship fights, a record which still stands.
In the turbulent era before World War II, he
became a national hero for both black and white America.
Swing music, also known as swing jazz, is a form
of jazz music that developed in the early 1930s and had solidified as a distinctive style by 1935 in the United States. Swing
uses a strong anchoring rhythm section which supports a brass section including saxophones, trumpets, and trombones; medium
to fast tempos; and a "lilting" swing time rhythm. Swing bands usually featured soloists who would improvise a new
melody over the arrangement. The danceable swing style of bandleaders such as Benny Goodman's was the dominant form of
American popular music from 1935 to 1945.
The verb "to swing" is also used as a term of praise for
playing that has a strong rhythmic "groove" or drive.
The Dirty 30s! is a dark, gritty, hopeless place
where conflict is brewing across both oceans. It is a stark contrast to the previous decade, the Roaring 20s, which was a
period of unprecedented growth and opportunity. It is in this world you now stand, but you can find your own opportunities
if you can avoid the pitfalls and the dangers.
Gone with the Wind is a 1939 film adapted from Margaret
Mitchell's 1936 novel of the same name and directed by Victor Fleming. The epic film which was set in the American South
in and around the time of the Civil War, starred Vivien Leigh, Clark Gable, Leslie Howard and Olivia de Havilland. It told
a story of the Civil War and its aftermath from a white Southern point of view.
It was awarded eight Academy
Awards, a record that would stand for years. In 1998 The American Film Institute's inaugural Top 100 American Films of
All Time list, it was ranked #4, although in the 2007 10th Anniversay edition of that list, it was dropped two places to #6.
It has sold more tickets than any other film in history. It is considered a prototype of a Hollywood blockbuster. Today it
is considered one of the most popular and greatest films of all time, and one of the most enduring symbols of the golden age
of Hollywood.
Bertrand Russell was born at the height of Britain's
economic and political ascendancy. When he died almost a century later, the British Empire had all but vanished, its power
had been dissipated by two world wars and its imperial system had been brought to an end. Among his post Second World War
political activities, Russell was a vigorous proponent of nuclear disarmament, antagonist to communist totalitarianism and
an outspoken critic of the Vietnam War. Previously he had been imprisoned and deprived of his Fellowship of Trinity College
as a vigorous peace campaigner and opponent of conscription during the First World War, visited the emerging Soviet Union
which subsequently met with his disapproval and campaigned vigorously against Adolf Hitler in the 1930s as well as being an
accomplished mathematician.
Betty Boop is an animated cartoon character appearing
in the Talkartoon and Betty Boop series of films produced by Max Fleischer and released by Paramount Pictures. With her overt
sexual appeal, Betty was a hit with theater-goers, and despite having been toned down in the mid-1930s, she remains popular
today.Betty Boop made her first appearance on August 9, 1930 in the cartoon Dizzy Dishes, the sixth installment in Fleischer's
Talkartoon series. She was originally designed by Grim Natwick, a veteran animator of the silent era who would become lead
director and animator for the Ub Iwerks and Walt Disney studios. The character was modeled after Helen Kane, the famous popular
singer of the 1920s and contract player at Paramount Pictures, the studio that distributed Fleischer's cartoons. By direction
of Dave Fleischer, Natwick designed the original character in the mode of an anthropomorphic French poodle. The character's
voice was first performed by Margie Hines, and was later provided by several different voice actresses including Kate Wright,
Ann Rothschild (a.k.a. Little Ann Little), Bonnie Poe, and most notably, Mae Questel who began in 1931 and continued with
the role until 1938.
During
her prime, it was not uncommon to see big name musical guests making appearances in her cartoons. Some of these
were: "I'll be glad when you're Dead, You Rascal You" (1932), featuring Louis Armstrong, "Minnie
the Moocher" (1932), featuring Cab Calloway, and one of my favorites "Snow White" (1933) featuring Cab
Calloway doing the song "Saint James Infirmary Blues".
In the 1930's, Betty Boop was made into dolls, toys, and other collectibles. Her popularity
declined for several decades, but then, in the 1980's she began to become popular again. Now,
as she becomes more popular, there are many products and collectables available. Some of the items I have
are dolls, ceramics, T-shirts, posters, watches,and more. Almost anything you can think of, is now available.
I think that Betty is as popular now, as she has ever been.
In February 1938, Abbott and Costello joined the
cast of the The Kate Smith Hour radio program, and the sketch was first performed for a national radio audience that March.
The routine may have been further polished before this broadcast by burlesque producer John Grant, who became the team's
writer, and Will Glickman, a staff writer on the radio show. Glickman may have added the nicknames of then-contemporary
baseball players like Dizzy and Daffy Dean to set up the routine's premise. This version, with extensive wordplay based
on the fact that most of a fictional baseball team's players had "strange nicknames" that seemed to be questions,
became known as "Who's on First?" By 1944, Abbott and Costello had the routine copyrighted.
Abbott and Costello performed "Who's on First?" numerous times in their careers, rarely performing
it the same way twice. Once, they did the routine at President Roosevelt's request. The routine was featured in the team's
1940 film debut, One Night in the Tropics. The duo reprised the bit in their 1945 film The Naughty Nineties, and it is that
version which is considered their finest recorded rendition. They also performed the routine numerous times on radio and
television (notably in The Abbott and Costello Show episode "The Actor's Home").
Women and children wait in a bread line in England
Superman is one of our culture's most enduring
and recognizable cultural icons, the inspiration for countless imitators, and a perennial American role model. Superman embodies
all our hopes and dreams, and our deepest fears. He is a man who is blessed with extraordinary superpowers many wish they
could have. But this seemingly invincible superman can be felled when exposed to a tiny, green rock Kryptonite. This tragic
flaw only scratches the surface of Superman's many paradoxes and dualities. His journey from the printed page onto the
silver screen has made it extremely hard to pin down the man behind the "S".
Swing, like several other styles of 20th Century
popular music, has its origins in African rhythms. Traditional West African music brought to the United States and elsewhere
by enslaved Africans hybridized with western music to eventually create a distinct style. The first recordings labeled swing
style date from the 1920s, and come from both the United States and the United Kingdom. They are characterized by the swing
rhythm already at that time common in jazz music, and a distinctive lively style which is harder to define. Although swing
evolved out of the lively jazz experimentation that began in New Orleans and that developed further (and in varying forms)
in Kansas City and New York City, what is now called swing diverged from other jazz music in ways that distinguished it as
a form in its own right.
The men were demanding that a steel works be built to bring back
jobs to their town, as Palmer's shipyard in Jarrow had been closed down in the previous year. The yard had been Jarrow's
major source of employment, and the closure compounded the problems of poverty, overcrowding, poor housing and high mortality
rates that already beset the town.
In October 1936, a group 200 men from the north-eastern
town of Jarrow marched 300 miles to London. They wanted Parliament, and the people in the south, to understand that they were
orderly, responsible citizens, but were living in a region where there were many difficulties, and where there was 70 per
cent unemployment - leading one of the marchers to describe his home town in those days as '...a filthy, dirty, falling
down, consumptive area.'
During the 1920s and early 1930s, the dance form
of jazz was popular. This style used sweet and romantic melody accompanied by lush, romantic string orchestra arrangements.
Orchestras tended to stick to the melody as it was written ,and vocals would be sung sweetly (often in a tenor voice). Swing
music abandoned the string orchestra and used simpler, "edgier" arrangements that emphasized horns and wind instruments
and improvised melodies.
Swing, like several other styles of 20th-century popular music, has its origins in African
rhythms. Traditional West African music brought to the US and elsewhere by enslaved Africans hybridized with western music
to eventually create a distinct style. The first recordings labeled race records date from the 1920s, and come from both the
United States and the United Kingdom. They are characterized by an improvised style, a smaller number of musicians, a lack
of strings and a distinctive lively style which is harder to define, now known as swing rhythm.
Since these recordings
were mainly produced by minorities with limited resources, the recordings were often made with sub-standard equipment such
as the acoustic recording method. Many of these records are extremely rare, as they did not sell well with mainstream audiences.
Although swing evolved out of the lively jazz experimentation that began in New Orleans and that developed further (and in
varying forms) in Kansas City and New York City, what is now called swing diverged from other jazz music in ways that distinguished
it as a form in its own right.
The styles of jazz that were popular from the late teens through the late 1920s
were usually played with rhythms with a two beat feel, and often attempted to reproduce the style of contrapuntal improvisation
developed by the first generation of jazz musicians in New Orleans. In the late 1920s, however, larger ensembles using written
arrangements became the norm, and a subtle stylistic shift took place in the rhythm, which developed a four beat feel with
a smoothly syncopated style of playing the melody, while the rhythm section supported it with a steady four to the bar.
Emily Wilding Davison (1872 June 8, 1913) was an
activist for women's suffrage in the United Kingdom. She died when she was struck by King George V's horse at the
Epsom Derby.
Davison was born in Blackheath, London, and had a university education, having studied first at
Royal Holloway College in London. She later studied English Language and Literature at St Hugh's College, Oxford, and
obtained first-class honours in her final exams, though women were not at that time admitted to degrees at Oxford. She joined
the Women's Social and Political Union (WSPU) in 1906, and immediately involved herself in their more militant activities.
She was arrested and imprisoned for various offences, including a violent attack on a man she mistook for the Chancellor of
the Exchequer, David Lloyd George. She went on hunger strike and was force-fed in Holloway prison, where she threw herself
down an iron staircase as a protest. She landed on wire netting 30 feet below, which saved her, however she suffered some
severe spinal damage.
Aldous Leonard Huxley (26 July 1894 22 November
1963) was an English writer and one of the most prominent members of the famous Huxley family. He spent the latter part of
his life in the United States, living in Los Angeles from 1937 until his death in 1963. Best known for his novels and wide-ranging
output of essays, he also published short stories, poetry, travel writing, and film stories and scripts.
Huxley
was a humanist but was also interested towards the end of his life in spiritual subjects such as parapsychology and philosophical
mysticism. By the end of his life Huxley was considered, in some academic circles, a leader of modern thought and an intellectual
of the highest rank. He was also well known for advocating and taking LSD, including on his death bed.
The Dust Bowl was a series of dust storms causing
major ecological and agricultural damage to American and Canadian prairie lands from 1930 to 1936 (in some areas until 1940),
caused by severe drought coupled with decades of extensive farming without crop rotation or other techniques that prevented
erosion. The fertile soil of the Great Plains was exposed through removal of grass during plowing. During the drought, soil
dried, became dust, and blew away eastwards and southwards, mostly in large black clouds. At times, the clouds blackened the
sky all the way to California, and much of the soil was deposited in the Atlantic Ocean. During the 1930s, large dust storms
ravaged the Great Plains. This area was labeled the Dust Bowl" and the period was called the "dirty thirties".
The Dust Bowl consisted of 100 million acres in the panhandles of Texas , Oklahoma, New Mexico, Colorado, and Kansas.
Tarzan has been called one of the best-known literary
characters in the world. In addition to more than two dozen books by Burroughs and a handful more by authors with the blessing
of Burroughs' estate, the character has appeared in films, radio, television, comic strips, and comic books. Numerous
parodies and pirated works have also appeared.
Science fiction author Philip José Farmer wrote Tarzan
Alive!, a biography of Tarzan utilizing the frame device that he was a real person. In Farmer's fictional universe, Tarzan,
along with Doc Savage and Sherlock Holmes, are the cornerstones of the Wold Newton family.
Even though the copyright
on Tarzan of the Apes has expired in the United States of America, the name Tarzan is still protected as a trademark of Edgar
Rice Burroughs, Inc. Also, the work remains under copyright in some other countries where copyright terms are longer.
Joan Crawford (born Lucille Fay LeSueur; (March
23, 1905 May 10, 1977) was an Academy Award-winning American actress. The American Film Institute named Crawford among the
Greatest Female Stars of All Time, ranking her at number 10.
Starting as a dancer on Broadway, Crawford was signed
to a motion picture contract by Metro-Goldwyn-Mayer Studios in 1925 and played in small parts. By the end of the '20s,
as her popularity grew, she became famous as a youthful flapper. At the beginning of the 1930s, Crawford's fame rivaled
that of fellow MGM colleagues Norma Shearer and Greta Garbo. She was often cast in movies in which she played hardworking
young women who eventually found romance and financial success. These "rags to riches" stories were well-received
by Depression-era audiences. Women, particularly, seemed to identify with her characters' struggles. By the end of the
decade, Crawford remained one of Hollywood's most prominent movie stars, and one of the highest paid women in the U.S.